Fatteshikast Full Marathi Movie Review Leaked by Tamilrokers
Fatteshikast Full Marathi Movie : Fatteshikast (English: Win & lose) is an Indian Marathi language historical period drama film directed by Digpal Lanjekar and produced under the banner of Almonds Creations in association with A A Films. The film stars Chinmay Mandlekar, Mrinal Kulkarni, Sameer Dharmadhikari, along with Ankit Mohan and Mrunmayee Deshpande in supporting roles. The music of the film is composed by Devdutta Manisha Baji and the soundtrack includes devotional song of Sant Shreshth Tukaram Maharaj.
The filming of India’s first historical surgical strike from the period of Chhatrapati Shivaji Maharaj, began on 30 April 2019. It was released on 15 November 2019.
Fatteshikast Review: an entertaining and elaborate adventure film that stimulates interest in the story of Maratha
The film Digpal Lanjekar is well conceived and full of very regional flavors which gives life to this episode of the adventures of King Maratha Shivaji.
India has a long tradition of oral history, where episodes from the lives of kings are celebrated through songs, dramas and stories. Like the legend of King Arthur in Britain, the stories of Shivaji, Rana Sanga and Prithviraj Chauhan in India are too.
Fatteshikast (2019) by Digpal Lanjekar crosses a similar story style by recreating one of the epic battles that established Shivaji as “ the great ”. The film is entertaining, colorful and produced by a cast that supports the story with its performances. The action choreography and the music (amazing and wonderful) are elements that add to the experience.
The story begins with a style of Inglourious Basterds (2009) interviewed by Namdar Khan (Sameer Dharmadhikari) interviewing villagers near Pune. This sets the backdrop for the entire film. Pune, under the government of Shaista Khan (Anup Soni), fights. The Marathas face the leash, but they cannot attack unless their king Shivaji (Chinmay Mandlekar) escapes the siege of Panhala.
It is in this absence that Lanjekar presents the characters to us. From the master of disguises, Bahirji Naik (Harish Dudhade) to Queen Jijabai (Mrinal Kulkarni) and Yesaji Kank (Ankit Mohan), made up of six players, form the key players in the drama that will unfold. With the king’s return to Rajgadh, the plan for Shaista Khan’s defeat began to take shape.
The strategist pulling the threads of everything is Bahirji Naik. With two informants, Kesar (Mrunmayee Deshpande) and Kisna (Nikhil Raut), inside Khan’s camp, find a way to infiltrate Lal Mahal and launch a command attack.
Lanjekar’s film has a sarcastic style that borders on arrogance for the neutral viewer of history, but it is not history. It is a dramatized narration of a story that has been told hundreds of times. In this, Lanjekar manages to make it entertaining while keeping it real.
He does this by bringing in a large number of characters who bring to life the intelligence and regional style of the Maratha Empire. From the beloved jungle Tanaji Malusare (Ajay Purkar) to the brilliant Kesar and Yesaji, the interaction of these characters brings the drama in which they are involved to life.
The film also focuses less on the attack on Lal Mahal, but on his planning. This involves recruiting commanders, gathering information through Kesar and Kisna, the deceptive costumes of Bahirji Naik and the intelligence of the king himself. In doing so, he manages to take advantage of the rarely explored facet of the Malva War: the guerrilla strategy. The battle, which comes after all this elaborate planning, feels even more effective because of this.
The film is produced by an impressive cast. While Mrinal Kulkarni is royal like Queen Jijabai, and Chinmay Mandlekar effectively imposes himself as Shivaji, it is the group that takes over. Ajay Purkar is quite good like Tanaji Malusare, the bearded bear commander who is as jovial as he is fierce. Ankit Mohan as Yesaji Kank plays the muscle of the team, literally, but it looks like the weak link.
Mrunmayee Deshpande is simply awesome as Kesar, the woman who manages to establish a friendship with Bahu Begum (Nakshatra Medhekar) while collecting information about the castle. His relationship with Bahu Begum and the cat and mouse game with Namdar Khan is a very interesting watch.
But there is especially Harish Dudhade in the role of Bahirji Naik, the thief who became an intelligent master spy. With multiple costumes and accents, Dudhade plays Naik with an irreverent sense of humor and an intelligent presence. He is holding the film together, and perhaps Bahirji Naik could be the subject of an interesting biographical film.
In addition to colorful dialogues with a pleasant local flavor, cinematography also explores the wide range of castles, while describing the history of the Sahyadri chain. It is an interesting observation to hear the roles that Lonavala, Panhala, Kalyan played in the Maratha Empire. Music is also a surprisingly impressive addition to this costume drama. It offers a necessary distraction and configures the most moving moments of the film.
Is the film a supporter of the Marathas? Yes In this it is no different from Padmaavat (2017), Manikarnika: The Queen Of Jhansi (2019) or any other WWII movie in Hollywood. The film also departs from key moments like the Konkan campaign of Kalabat Khan, which marked a turning point in the defeat of Shaista Khan. It is compressed into a single symbolic piece, which reduces its impact. But it is a sign of the times in which we live.
The problem is that the bias affects the strength of the film. Every great hero deserves a great villain. The depiction of the Mughals as petulant and cruel, although popular, affects the drama of the film. On the other hand, the few deaths of Baji Prabhu Deshpande are presented as a stimulation of the Maratha movement. Each character, even enemies, receives lines to praise the greatness of Shivaji throughout the film.
There are characters like Rayabaghan (Trupti Toradmal) and Namdar Khan (Sameer Dharmadhikari) who are about to become the threatening villain, but are not allowed to grow up. It is almost an injustice that the great Marathas have to fight against these nuts. The greatness of Shivaji lies in the fact that he surpassed some really sharp commanders in the Mughal empire. Lowering and underestimating the enemy has never been his style.
Despite these shortcomings, Fatteshikast is an entertaining film that is arousing growing interest among filmmakers for the story of Maratha. As colorful as it is, it is a costumed drama that is worth a detour for its profession and its narrative style.